TheLeftHandofDarkness - (EPUB全文下载)
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THE LEFT HAND OF DARKNESS
by Ursula K.Leguin
The Ekumen 04
WINNER OF THE HUGO AWARD AND THE NEBULA AWARD FOR BEST SCIENCE FICTION NOVEL OF THE YEAR
1969
Dedication:
For Charles, sine quo non
CONTENTS
Introduction - added in 1976
1. A Parade in Erhenrang
2. The Place Inside the Blizzard
3. The Mad King
4. The Nineteenth Day
5. The Domestication of Hunch
6. One Way into Orgoreyn
7. The Question of Sex
8. Another Way into Orgoreyn
9. Estraven the Traitor
10. Conversations in Mishnory
11. Soliloquies in Mishnory
12. On Time and Darkness
13. Down on the Farm
14. The Escape
15. To the Ice
16. Between Drumner and Dremegole
17. An Orgota Creation Myth
18. On the Ice
19. Homecoming
20. A Fool’s Errand
The Gethenian Calendar and Clock
Introduction
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Science fiction is often described, and even defined, as extrapolative. The science fiction writer is supposed to take a trend or phenomenon of the here-and-now, purify and intensify it for dramatic effect, and extend it into the future. “If this goes on, this is what will happen.” A prediction is made. Method and results much resemble those of a scientist who feeds large doses of a purified and concentrated food additive to mice, in order to predict what may happen to people who eat it in small quantities for a long time. The outcome seems almost inevitably to be cancer. So does the outcome of extrapolation. Strictly extrapolative works of science fiction generally arrive about where the Club of Rome arrives: somewhere between the gradual extinction of human liberty and the total extinction of terrestrial life.
This may explain why many people who do not read science fiction describe it as ‘escapist,’ but when questioned further, admit they do not read it because ‘it’s so depressing.’
Almost anything carried to its logical extreme becomes depressing, if not carcinogenic.
Fortunately, though extrapolation is an element in science fiction, it isn’t the name of the game by any means. It is far too rationalist and simplistic to satisfy the imaginative mind, whether the writer’s or the reader’s. Variables are the spice of life.
This book is not extrapolative. If you like you can read it, and a lot of other science fiction, as a thought-experiment. Let’s say (says Mary Shelley) that a young doctor creates a human being in his laboratory; let’s say (says Philip K. Dick) that the Allies lost the second world war; let’s say this or that is such and so, and see what happens… In a story so conceived, the moral co ............
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