UnderstandingaPhotograph - (EPUB全文下载)

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John Berger
 
UNDERSTANDING A PHOTOGRAPH
Edited and Introduced by GEOFF DYER
Contents
List of Illustrations
Introduction
Image of Imperialism
Understanding a Photograph
Political Uses of Photo-Montage
Photographs of Agony
The Suit and the Photograph
Paul Strand
Uses of Photography
For Susan Sontag
Appearances
Stories
Christ of the Peasants
Markéta Luskačová: Pilgrims
W. Eugene Smith
Notes to help Documentary Film-maker    Kirk Morris Make a Film about Smith
Walking Back Home
Chris Killip: In Flagrante (with Sylvia Grant)
Means to Live
Nick Waplington: Living Room
André Kertész: On Reading
A Man Begging in the Métro
Henri Cartier-Bresson
Martine Franck
Fax Foreword to One Day to the Next
Jean Mohr: A Sketch for a Portrait
A Tragedy the Size of the Planet
Conversation with Sebastião Salgado
Recognition
Moyra Peralta: Nearly Invisible
Tribute to Cartier-Bresson
Between Here and Then
Marc Trivier
Marc Trivier: My Beautiful
Jitka Hanzlová: Forest
Ahlam Shibli: Trackers
Sources
Follow Penguin
PENGUIN MODERN CLASSICS
UNDERSTANDING A PHOTOGRAPH
John Berger was born in London in 1926. His acclaimed works of fiction and non-fiction include the seminal Ways of Seeing and the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he now lives in a small village in the French Alps.
Geoff Dyer is the author of four novels and many non-fiction books. He is a winner of the Somerset Maugham Prize, the International Center of Photography’s 2006 Infinity Award for The Ongoing Moment and a 2012 National Book Critics Circle Award for the essay collection Otherwise Known as the Human Condition.
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List of Illustrations
Bolivian army officers and reporters stand looking over the body of Che Guevara, October 1967. (Photo: Topham Picture-point)
The Anatomy Lesson of Dr Nicolaes Tulp, 1632, by Rembrandt van Rijn. Oil on canvas, 169.5 x 216.5cm, Mauritshuis, The Hague. (Photo: akg-images)
The Lamentation over the Dead Christ, c.1480, by Andrea Mantegna. Tempera on canvas, 68 x 81cm, Pinacoteca di Brera, Milan. (Photo: akg-images/Erich Lessing)
Der Sinn des Hitlergrusses (The meaning of the Hitler salute) by John Heartfield. From AIZ (Neuer Deutscher Verlag, Berlin), vol. 11, no. 42, 16 October 1932. (Photo: akg-images; © 2013 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn)
Young Farmers, 1914, by August Sander. (© 2013 Die Photographische Sammlung/SK Stiftung Kultur – August Sander Archiv, Cologne/ARS, NY)
Country Band, 1913, by Au ............

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