HarryPotterandtheCursedChild-PartsOneand.epub - (EPUB全文下载)

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Harry Potter and the Cursed Child Parts One and Two
may not be performed in whole or in part and no use may be made of it whatsoever except under express license from the rights holders of the work, J.K. Rowling and Harry Potter Theatrical Productions Limited. Please email inquiries@hptheatricalproductions.com
with any inquiries.
To Jack Thorne
who entered my world
and did beautiful things there.
— J.K. Rowling
For Joe, Louis, Max, Sonny, and Merle . . . wizards all . . .
— John Tiffany
To Elliott Thorne, born April 7, 2016.
As we rehearsed, he gurgled.
— Jack Thorne
CONTENTS
A CONVERSATION ABOUT
READING
SCRIPTS
PART ONE
ACT
ONE
ACT
TWO
PART TWO
ACT
THREE
ACT
FOUR
HARRY
POTTER
FAMILY
TREE
HARRY
POTTER:
THE
TIMELINE
ABOUT THE
PRODUCTION
BIOGRAPHIES OF THE
ORIGINAL
STORY
TEAM
ACKNOWLEDGMENTS
A CONVERSATION ABOUT READING SCRIPTS
BETWEEN DIRECTOR
J
OHN
T
IFFANY AND PLAYWRIGHT
J
ACK
T
HORNE
JACK:
The first play I ever read was Joseph and the Amazing Technicolor Dreamcoat
. I was at primary school and very excited. I can’t remember clearly, but think I mainly went through it looking for my lines. Yes, I was an obnoxious little brat and yes, I was going to play Joseph. The next play I read was The Silver Sword,
a theater adaptation of the Ian Serraillier classic. I wasn’t going to play the lead in that—I think I played “third boy” or something. I wanted to play Edek Balicki. I would have given anything to play Edek, but sadly my acting career was in terminal decline by then. I was nine years old.
JOHN:
The first script I ever read was Oliver!
aged nine (even at that young age I was vaguely aware that the exclamation mark meant it was a musical—it’s Oliver . . . with songs!). I had been cast as the eponymous orphan in the Huddersfield Amateur Operatic Society’s 1981 production. I have no memory of attempting to change my accent, so our production must have been a strange reimagining of Dickens’s original in which Oliver’s mother finds her way to a workhouse in West Yorkshire to give birth. Like you, I read through the script looking for my lines. I remember making a special trip to buy a fluorescent yellow pen so I could highlight Oliver’s lines in my script, just like I’d noticed my fellow cast members do. Obviously, I thought, this was what marked you out as a seasoned performer. It was only later that the Artful Dodger pointed out that I not only had to highlight my lines, but also commit them to memory. And so began my ............

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